Michel Foucault

The landscapes compose ' ' as much of layers of stratus souvenirs how much of rochas' ' , therefore, we can say in the track of Michel Foucault that the landscapes load obtain forms of visibility and rules of dizibilidade, the landscapes are constructions of the human look always guided by values, customs, aesthetic conceptions politics, ethics and, interests economic and social, and they are said from linguistic concepts, metaphors, tropos, words that belong to one given historical tram to one given temporality, the citizen places, the social places. (MUNIZ, 2001, P. 1) Under this citation after to argue the social place of Nelson Pear tree, we will deepen them the landscapes represented in the film seen in classroom. Perceiving as perceivable constructions of spaces in images that if intend to become visible dizvel and what it is the hinterland northeastern, that is, they want to reach its target. But as we saw in the citation, landscapes are not a perception of devir nor so little of the transcendental that bursts in to know them atemporais. As constructions the landscapes are supported of the accumulation of values, economic customs, trams politics, games, relationships of sort, culture, language, and etc, at last, constructions that emerge of disputes and social relations throughout history, therefore, one more time as we saw in the presentation of the film. The initial, long and dramatical walked one of Fabiano, Sinh Victory, its two children, cachorra Whale and its parrot in way to the castigante and flaming sun to the sound of the gemedeira to the deep one, or the death it parrot to saciar the death of the family, the dry stream beds of the cracked rivers, the death of the hunger cattle and headquarters, the predominant ash of the vegetation, rain that it falls soon of sudden form and if evaporates, and the proper end of the same film with walked the painful one of the retirantes the sound of the gemedeira, at last, such images as it ratifies the citation, &#039 above; ' they are constructions of the human look always guided by values, customs, ' '. By the same author: Ford Motor Company. .